The Genesis album that saved the band: “We found ourselves a little bit”

Genesis defies categorization, transitioning from an artsy progressive rock act with Peter Gabriel to a pop-infused group led by Phil Collins in the late 1980s. Mike Rutherford pinpointed the essence of their sound during the creation of the album “Duke.”


After Gabriel’s departure, Genesis faced uncertainty without their charismatic frontman. Despite concerns about finding a new singer, Collins stepped up out of necessity, ultimately becoming the voice of the band.


While Collins is sometimes blamed for the band’s evolution, “A Trick of the Tail” maintained their prog roots, evident in tracks like “Entangled” and “Dance on a Volcano.” However, Steve Hackett’s departure left the band as a trio, prompting soul-searching about their musical direction.


“And Then There Were Three” showcased the band’s resilience, but Collins’ hiatus to focus on his marriage provided an unexpected opportunity for introspection. With Duke, Genesis delivered a polished effort, signaling a pivotal moment for the band’s future.


Reflecting on Duke, Rutherford acknowledged its significance in revitalizing the band’s spirit, suggesting that without it, Genesis might not have continued. Despite accusations of “selling out,” tracks like “Misunderstanding” demonstrated Collins’ songwriting prowess, maintaining the emotional depth of their earlier work.


As Genesis ventured into more complex territory with songs like “Turn It On Again,” they defied conventional pop conventions, showcasing intricate rhythms and changing time signatures. While their later foray into easy-listening may diverge from their prog roots, Genesis’s ability to chart with complex compositions remains a testament to their enduring musical legacy.

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